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Best Post Apocalyptic Science Fiction Books
"It's The End Of The World As We Know It (and I feel fine)" (REM, "Document", 1987). That's what 'apocalypse' is all about. Except that people usually end up not feeling fine at all, because we're all basically comfy in the world as it is, and when that ends we tend to freak out—a bit... or a bit more... or a lot...
'Apocalypse', in its original meaning, refers to a revelation of sorts; by lifting a veil from the world, society, our lives and their purpose or lack thereof, ourselves. That kind of stuff. In other words, it's not actually about civilization or the Earth or the universe being obliterated, or at the very least made very strange and uncomfortable compared to the way it was before; even though that's what's usually happened. Science fiction—and fantasy as well; and there is a hybrid SF&F novel in this compilation—has covered post-apocalyptic themes since its beginnings, with varying scope and focus, but invariably caused by an event or series of events qualifying as 'disastrous'; for it seems that that's the only way apocalypse can happen. And, let's face it, from a story-telling point of view it's much more fun that way. Post-apocalyptic SF—maybe more so than all other subgenres—focuses on people and their way of coping with the changes and challenges brought into their lives. The nature of the apocalyptic event as such becomes far less important than what it does to people; how it tests their mettle; how it exposes their weaknesses and strengths. Some of the stories here are grim and cheerless. Some are just plain bizarre. Other focus on hope.
I find it impossible to rank these in terms of this-one-is-better-than-that. They're all go good! To help readers pick something that accords with their literary dispositions, this list, instead of "read if you like" (because you'll probably read these books if you like post-apocalypse stories!), has a rating system with scores of 1-5 for: "Grimness", "Bizarreness", "Hope" and "Fun-factor". All very subjective, of course; but it should give a rough guide about whether you'll have nightmares, end up depressed, don't give a damn, or have some cool action dreams, with an occasional bit of nooky thrown in.
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Following on from World War Z, the idea of a zombie apocalypse has become common, and a number of writers from both genre and non-genre backgrounds have written well received novels on the theme.
One of the most interesting is Zone One, by Pulitzer Prize nominated novelist Colson Whitehead. It is set after the apocalypse, when the zombie threat has been contained, and tells the story of the people patrolling New York, eliminating any remaining zombies and making the city inhabitable again.
The Girl with all the Gifts by M.R. Carey is the story of a 10-year-old girl who has been infected with the zombie virus but who has retained her genius-level IQ. When the base where she is kept is attacked, she and her teachers have to escape across country, learning devastating details about the infection along the way.
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Wyndham wrote a string of engaging catastrophe stories, of which one of the best if least typical is probably The Chrysalids. Set in a post-apocalyptic Labrador, where a technologically limited religious society is in place and anyone who displays mutations, known as "Blasphemies", is cast out, it concerns a group of children who discover they have telepathic powers, which leads them to question the nature of their society.
Telepathic children also feature, rather more eerily, in The Midwich Cuckoos. A small village in England is cut off for a day by strange gas that renders everyone unconscious. When the gas dissipates, everything seems to return to normal until, some months later, every woman of child-bearing age in the village finds she is pregnant. The children are all pale, with golden eyes and telepathic abilities, and they mature remarkably quickly. It's obvious that they are not human, but how can they be dealt with when they can control anyone who threatens them?
The sort of catastrophe that Wyndham wrote about can also be found in the work of several other British writers, including Keith Roberts, whoseThe Furies is clearly modelled on The Day of the Triffids. Nuclear tests go wrong, disrupting the landscape, while at the same time giant alien wasps invade.
In The Death of Grass by John Christopher, the catastrophe is a mutated virus that attacks all forms of grass, including wheat and barley, leading to a devastated landscape and mass famine.
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The idea of a small community surviving a disaster by reverting to old ways while every modern convenience they have got used to stops working became a model for much of the post-apocalyptic fiction that appeared in the decade or so after Earth Abides. However, in most cases the apocalypse was not natural but nuclear.
One recent example that's well worth reading is Slow Apocalypse by John Varley. Set in and around Hollywood, it tells of a genetically manipulated virus that renders all of the world's oil unusable. Slowly, modern life grinds to a halt, communities must grow small simply to survive. It's a very modern take on Earth Abides, but that just shows the strength of the original and the power of this late variant.
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Alternative Choice
The Tripods is a young adult sequence that is probably Christopher's best known and most successful work. It is set in a world enslaved by aliens, who are seen only in their giant Tripod walking machines (reminiscent of H.G. Wells's Martians) through which they exert their authority. Human technology has mostly been pushed back to a medieval level, most people live only in small rural villages, and they are kept docile by implanted "caps". But there is a resistance, and the teenage heroes of the novel escape being capped and join the resistance.
Christopher's other catastrophe novels include A Wrinkle in the Skin, in which massive earthquakes dramatically change the landscape. The story follows a trek across what was once the English Channel in an attempt to find survivors. The World in Winter suggests that a reduction in solar radiation results in a new ice age, with survivors from Britain fleeing sounth to Africa whwere they find themselves treated as second-class citizens.
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Stand on Zanzibar was the first of four novels that Brunner wrote that changed the way we looked at science fiction, because they presented crowded, clotted worlds where the background was as important and as fully realised as anything in the foreground.
The Jagged Orbit is set in a future America where racial tensions are at breaking point, and a major corporation is busy trying to sell arms to both sides at once, fomenting war in order to improve their business. It won the BSFA Award.
The Sheep Look Up is another dystopia, this time concerned with damage to the environment. At a time when corporations effectively control the government of the United States, pollution has got so bad that it results in poor health, poor sanitation, poor food supply and, eventually, civil unrest.
The Shockwave Rider is recognised as one of the ancestors of cyberpunk, it is also the novel that introduced the idea of a computer virus, though in the novel it is called a "worm". It is a novel about future shock, in which a programming genius uses his computer skills to go on the run in a world dominated by computer surveillance.
For other novels that confront issues of overpopulation, you should also check out The World Inside by Robert Silverberg, in which people live in three kilometre high tower blocks where order is only maintained by everyone sharing everything, including sex (it is considered a crime to refuse any invitation for sex). It's a brilliant picture of a very disturbing world.
Another classic of overpopulation is Make Room! Make Room!by Harry Harrison (which was filmed as Soylent Green). It's set in a future New York that is so crowded that water and food are in ever shorter supply, people have to share single room apartments, and theft and rioting are daily events.
Another novel that makes brilliant use of John Dos Passos's structure is 2312 by Kim Stanley Robinson. Using extracts from science journals, political journalism, history books and more, Robinson creates an extraordinarily vivid picture of everyday life three centuries from now when humanity has spread out across the solar system but the Earth is suffering from ecological collapse. The immediacy of the technique really makes it feel like we are there in the city that rolls around Mercury on rails, or in the hollowed-out asteroids that travel between the planets, or when long-extinct animals are returned to earth. 2312 won the Nebula Award.