SF CORE Best Lists
- Best Modern Science Fiction Books
- Best Science Fiction Series
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- Top 25 Underrated Science Fiction Books
- Best Science Fiction by Women
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- The Alternative Top 25 Best Science Fiction List
- Top 25 Science Fiction Books
- Top 100 Best Science Fiction Books
- Top 50 Best Science Fiction Movies of All Time
- Best Sci-Fi Movies of the 21st Century
- Best Sci-Fi TV Shows of All Time
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SF ERA Best Lists
- Best Science Fiction Books of 2014
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SF GENRE Best Lists
- Best Hard Science Fiction Books
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- Best Space Opera Books (OLD AND MERGED WITH NEW)
- Best Dystopian Science Fiction Books
- Best Post Apocalyptic Science Fiction Books
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- Top 25 Best Mars Science Fiction Books
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- Best Books About Science Fiction
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- Top 25 Post Human Science Fiction Books
- Top 25 Best Science Fiction Mystery Books
- Top 25 Best Science Fiction Books About the Moon
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- Best Science Fiction Games of All Time
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- Best Science Fiction Anime
- Top 25 Military SciFi Books
OTHER Best Lists
Lost
Author: Jeffrey Lieber, J. J. Abrams And Damon Lindelof
LOST is a show that took all the convoluted twist and turns of The X-Files, mixed it in a setting as weird as Twin Peaks, and populated with characters as flawed as those you'd find in a Coen Brothers movie. It was an absolute masterpiece of television when it first debuted, and though it turned and twisted about a dozen times along the way, it never stopped keeping the audience guessing. The story of a plane crash, the fight for survival, the incredible difficulties of maintaining the weirdest island in the Universe, and the struggle between the base and better nature of mankind are the major themes, but it's also a series of love stories, a string of journeys of self-discovery, and a deeply spiritual piece. Not only did Abrams and his team play with the story, they presented it in a way that stepped through the veils of time and space, with heavy use of flashbacks, flashforwards, and side-steps. Yes, the ending left as much in the air as the beginning did, but at the same time, it was exactly the ending that we needed, because it wasn't about telling us what the truth was; it was about making care that there might be truth. Why it's on the list: As a singular story, there are few shows of any kind as poetic or wide-ranging.